11.4.2008 THE SKULL DEFEKTS (SWE) / STEVEN LOBDELL (US) in Kreuzberg
da una Mail di Hair Entertainment (Berlin, Deutschland)
Data: Mon, 07 Apr 2008 22:24:46 +0200
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Come on Everybody! Weiterleiten! Please Forward!
* April 11 / 2008 – Friday Evening: *
*Architektur Defekt – Performance As Extended Gesture Of Sound*
*Galerie Weissenseer Freitag, Brückenstrasse 5-6, Berlin — Kreuzberg.
*U-S-Bahn Jannowitzbrücke/U-Bahn Heinrich-Heine-Strasse
*20 Uhr*
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Gesture and Sound both interact in a functional and disfunctional way.
They create architectures and landscapes on their own. *Architektur
Defekt* is to recognise the increasingly visible aspects in experimental
music through expanding gesture in relation to performance. *Architektur
Defekt* will source other artistic fields but focus on Sound as the main
point of reference.
Artistic languages are more and more contaminating each other no matter
from wich particular field an artist is apparently coming from. Not only
Performance can show something of the artist’s particular discipline, it
can also reveal all the colors and intensity of this inteference.
This event will feature *Steven Wray Lobdell*, a musician and guitarist
who did time with legendary Krautrockers FAUST, as an example of the
"original" performer.
In addition, Vice versa we will present three emerging artists —
*Andrea Lange*,* Michal Dudek *and *Bearytheblonde *– who, sourcing
from visual arts developed through the conceptual use of the body, are
exploring sound performance as memory through an extension of gesture
and space.
An extremely different approach will be taken by conceptual sound
artist* Stefan Roigk*. His idea is to play a set of the same length as
the other performers, but to remove his own physical presence, instead
let perform an installed piece.
*The Skull Defekts* will conclude the evening with an expanding
drone-set that will serve as statement of steadiness & permanence.
hairy g&p
*Vjs:* Servando & Diegonante
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*1. The Skull Defekts (SWE) / The Drone*
dfx black**"Okay, now if you need meditations that keep you right in the
driving seat throughout the duration of the trip, then check out The
Skull Defekts and their album BLOOD SPIRITS & DRUMS ARE SINGING. With
their line-up of double drums, guitarists and machinery, The Skull
Defekts conjure up an unlikely and unkind meltdown din somewhere between
the arid No Wave of CHAIRS MISSING-period Wire, the contemporary
ramalama of Sweden’s excellent Krautrock-wannabees Audionom and the
artless pummelling early-70s proto-Kiss proto-Cleveland blues-free white
blues of Germany’s Tiger B. Smith amped up to a heartless degree."
-Julian Cope.
*2. Stefan Roigk (DE) / Tapekonzert*
/"es wäre allerdings vollplayback… live spielen liegt mir nicht
wirklich, aber ich denke, dass können die leute schon vertragen…"
"es ist halt eine völlige negation der live-situation mit all ihrem
schweiss, rock und improvisieren, hier ist nichts ungeplant, zufällig
oder unkontrolliert… aber vor allem ist es eines: es lenkt nicht durch
optischen brei vom eigentlichen ab… DEM KLANG…"/
(Stefan Roigk / E-Mails /March 1st to 3rd /2008.)
*3. Andrea Lange (DE) / Performance*
/"Alles kann sich leicht verändern, ohne Erwartung mit Gedanken, die
nach außen kommen. Oder innen bleiben. Durch Kontakt. Der Sound, der zu
hören ist, beschreibt den Ort, an dem wir uns befinden und bietet die
Möglichkeit sich in ihm zu verlieren. Sein Rhythmus schafft eine, diese
besondere Atmosphäre." /
*4. Bearytheblonde (IT) / Performance*
/"Boredom as a permanent state of mind that surrounds reality.
Boredom to escape – escaping the Boredom.
Boredom Boredom Boredom…
Bored-Om!"/
*5. Michal Dudek (PL) / Performance *
Raumstimmen: Durch Anhebung des Volumens mikrophonierter Räume generiert
sich ein Resonanzklang des Gebäudes. Die Dynamik variiert je nach
Tageszeit und entsprechender Aktivitäten im Gebäude.
*6. Steven Wray Lobdell (USA) / Smoke Signals*
The music of Faust lay somewhere between the sonic freakouts of Can and
the instinctive emotiveness of Neu!, but its work was touched with a
certain macabre humor — look to tracks such as "The Sad Skinhead," off
its most accessible album, "Faust IV."
Lobdell, however, was less interested in the music as such, is in the
way the band made the music. "I was always interested in the recordings
themselves, in the actual sound," he says, such as "the directly
recorded guitars, the over-the-top sounds and the sparse moments of
silence."
Lobdell’s first recording with Faust was 1994’s "Rien," on which he
played alongside such luminaries as Keiji Haino (head-crushingly heavy
guitar legend of Fushitsusha) and Jim O’Rourke. He left after 1997’s
"Faust Wakes Nosferatu" when, in Germany during Ramadan, he went
temporarily insane.
http://www.faust-pages.com/imagegroups/collectifmetz.html
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