streptos music

Qui di seguito sono riportate due pagine che illustrano formule atte a calcolare le frequenze dell varie note musicali prendendo come riferimento la nota la a 440 hz.
Per un calcolo delle frequenze per la scala pitagorica, o temperamento pitagorico (riferimento nota la = 432 hz), sostituire il valore 440 dell’equazione con il valore 432.

THX

A note 432 hz info (english language) — http://en.wikipedia.org/wiki/Pythagorean_tuning

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fonte http://ulisse.sissa.it/chiediAUlisse/domanda/2004/Ucau040418d001/

Keywords: letteratura e scienza, sistemi complessi, acustica, musica e scienza

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source http://www.intmath.com/trigonometric-graphs/music.php

What are the frequencies of music notes?

In the table of frequencies below, you’ll find A = 440 Hz, and then

A# = 466.16 Hz,
B = 493.88 Hz,
C = 523.25 Hz, etc.

Also, you can find Middle C: 261.63 Hz.

frequency = 440×(2^n/12)

for n = -21, -19, …, 27

Where did this formula come from?

This problem reminded me of Compound Interest that we met earlier in Money Math. The frequency needs to double every 12 notes (because there are 7 white notes and 5 black notes in each octave.)

Here is a graph of that relationship: frequency = 440×(2^n/12)

This is an exponential curve, that we met earlier in Graphs of Exponential Functions.

Equal Tempered Tuning

An interesting problem has faced musical instrument makers for hundreds of years. To get a “perfect 5th” (the interval between A and the E above, say), we need to play a note which has 1.5 times the frequency of A.

On a violin (or viola or any fretless stringed instrument) this is possible, and we can play a beautiful, perfect E at 440 × 1.5 = 660 Hz. But notice (from the frequency table above) that a piano playing the same note will play E = 659.26 Hz [just a little flat!].

Around 400 years ago, keyboards (usually harpsichords and organs) were tuned for a particular key (say D major), so that all the instruments, especially strings, sounded “right” in that key. The harpsichord sounded great in that key, but pretty awful in other unrelated keys (say B flat).

Around the time of J. S. Bach, it was decided to tune keyboards so that the notes were evenly spaced. Then the keyboard could sound better in any key. This is called equal tempered tuning.

Unfortunately, it means all stringed instruments have to allow for the slight differences in tunings between instruments. Strings are usually happiest when playing with other strings only, for this reason.