Archive for November, 2007

2° anniversario Asilo Okkupato

Thursday, November 15th, 2007


clikka per ingrandire l’immagine 

Stasera dalle Vagine Volanti (http://vaginevolanti.noblogs.org/) all’Asilo Okkupato in via Bolognese 275 (bus 25)

Secondo anniversario di okkupazione dell’Asilo

Festa dalle 18.00

– mangia e bevi bella fica (cioe’ ognuno porta qualcosa)

– acrobatic porn DJs (trash anni 80 e microfono disponibile)

– camerino fotografico "Vesti DIGOS": che mese vuoi essere? Riproduci il digossino che hai davanti casa…

– Asil-lotto: gioca i numeri dello sgombero e poi fai il botto!

* Basta sgomberi. L’asilo resiste *

Tutti a genova 17 nov. Treni gratis – Treni gratis!

JG Ballard interview by V. Vale (2004)

Wednesday, November 14th, 2007

da http://www.rickmcgrath.com/jgballard/jgb_beatsthebush.html


Collage by JGB 

JGB Beats Around The Bush…
And Finds Hollywood

JGB Interview by V. Vale

From his home in Shepperton following the November 2, 2004, US Presidential elections, J.G. Ballard wonders over the phone with V. Vale if there is something fundamentally flawed about the American take on reality.

V. Vale: I wanted to get your “take” on the neo-cons and Bush, and your perspective on what happened with this election in November, 2004.

J.G. Ballard: I’m sure you and your readers have had an absolute Niagara of comment on the subject, so I don’t want to give anything but one European’s perspective on it. But there’s no doubt that most people over here on this side of the Atlantic were hoping for a Kerry victory. There’s something very frightening about Bush and the neo-con group. Donald Rumsfeld is quite a scary figure — putting it mildly.

V. Vale: One feels that Bush and his closest advisors are entirely driven by emotions. They’re no longer driven by a reasoned analysis of where the world is going, and what the U.S. response should be. They’re driven by this visceral need to express their anger — you know, their anger and, really, rage at the world. One feels, listening to people like Rumsfeld, Bush himself, and one or two of the others like Richard Perle, that the world is seen as an extremely hostile place.

J.G. Ballard: And moreover, they want it to be a hostile place. They need enemies who can be challenged and then destroyed. This is a kind of psychology that people in Europe are very familiar with, going back to the psychology of people like Hitler and his henchman, and then to Stalin and the whole paranoid stance that both the Nazi and the Soviet regimes had towards their enemies. If they didn’t have enemies, they would soon invent enemies. Because they’re absolutely hung up — and I suspect Bush and the neo-cons, to a surprising extent, in a great democracy like the U.S., are hung up on this need to hate and this need to destroy. And of course it’s frightening, because where will it end? Today Iraq, tomorrow Iran, and the day after, hmmm… maybe France, you know, because given their mindset, there will be no shortage of enemies. I think there’s nothing particularly extreme about saying this. I think it’s what people over here perceive of as part of the dangers of this situation. Nobody thinks there is a connection between the 9-11 attack and Saddam Hussein. There’s no connection at all — it’s quite the opposite. Hussein was running a secular regime. Bush and Rumsfeld have created a kind of unstable regime dominated by religious fanatics in Iraq, of the Khadafi kind they thought they were getting rid of! So it is unnerving. It leads us to question many other areas of the American world view. Is there something fundamentally flawed about the American take on reality? I say that as a lifelong admirer of the U.S., by the way. But it does seem to me that a lot of the formulas that govern American life — in particular its entertainment culture — have leaked out of, say, the Hollywood films and into political reality. That’s frightening. I’ve got a feeling that Americans, who have always been admired and always been liked for the most part, don’t take kindly to being disliked. Unlike, say, the British and French, who have been disliked since the year “dot.” The Americans don’t like being disliked; the reverberations of 9-11 are not going to go away. I’m sure there will be other attacks of a similar kind and they will keep the pot boiling.

V. Vale: Yes. And these days, the Bush Team seems to basically dictate press announcements to the press as “news,” and then the news media just gladly print them without any critical stance or analysis. Recently in the news there was the declaration: “Well, we think Iran has weapons of mass destruction.” Obviously Team Bush is gearing up for an attack on Iran.

J.G. Ballard: Well, it does look like that. What’s worrying is that that will be an automatic response: “So, it’s going to be Iran next.” I can’t imagine American ground forces are going to roll across the border, but I can see strategic bombing attacks designed to destabilize the present regime and knock out their nuclear research installations. But, the consequences would be disastrous for the world economy if the huge oil supplies locked up in the Middle East were interrupted. God knows what will happen.

V. Vale: We saw a preview of that in Mad Max, didn’t we?

J.G. Ballard: Yes, absolutely. It’s a worrying time because Bush seems to delight in the sort of mythological version of himself which he’s created: the swaggering Texan who is supremely confident of his ability to stare down any mean guys who get in his way. Rumsfeld seems to come out of the same corner of the fairground. Some of the others, like Perle, whom we see a lot of on British television, and Wolfowitz whom we also see, are much more intellectual and they provide a smooth rationale. Something worries me. This goes back to the period of forty years ago when strategic planners in the Pentagon were heavily influenced by game theory, John Von Neumann and others. They seriously believed there was a window of opportunity that the U.S. should take while it still enjoyed nuclear supremacy. This was the time to strike, before the Soviet missile deployment would match the U.S.’s. From what one reads, serious thought was given to picking a fight with the Russians and then obliterating them! One sees something of the same mind-set at work today, and it’s a little bit scary.

V. Vale: [laughs] To say the least. Wow. I’m very cautious of conspiracy theories because you can drive yourself crazy — you will never really know who killed JFK, for example. But at the same time I’m very interested in the underlying thinking that doesn’t get publicized, like the game theory of John Von Neumann, who was the model for the title character in Dr. Strangelove. You don’t hear much about that anymore, but that doesn’t mean it didn’t go away.

J.G. Ballard: I think it’s come to the surface again, hasn’t it? It’s something I’ve argued for a long while. In my last novel, Millennium People, I was putting forth the proposition that nothing disconcerts people more than an apparently meaningless act. If a hostile act in particular has some sort of obvious point… if you’re an anti-globalization protestor and you picket the offices of some multinational company, or even if you blow up their showroom windows, everybody understands — they may disapprove, but they understand. But on the other hand, a meaningless act really unsettles people for obvious reasons, because we look for logic. To some extent, the tragic events of 9-11 constitute a kind of meaningless act.

V. Vale: What do you mean?

J.G. Ballard: I haven’t seen any convincing explanation of what Mohammed Atta and his fellow hijackers were trying to achieve. I mean, this is a spectacular blow against what we’re told is — was — an American symbol: the twin World Trade Center towers…

V. Vale: The WTC was a spectacular symbol of American economic dominance over the world, I think.

J.G. Ballard: I don’t think they were seen as such by the rest of the world. They were seen as two very tall buildings. I’ve never heard anyone refer to them. Now, the Empire State Building, and to some extent the Chrysler Building, had enormous symbolic value, which I remember back in the 1930s, soon after the Empire State Building opened for business. That stood for New York, and it stood for America. But I’ve never heard of the World Trade Center thought of in those terms. I’ve never heard anyone in any television program, documentary, article or book refer to the World Trade Center towers in the way, for example, that people always refer to the Pentagon as a threatening presence.

V. Vale: I think the WTC towers were elevated into this position of representing American capitalism after the event.

J.G. Ballard: Well, whether they were or not, the point is: the attack on them was really meaningless — it didn’t achieve anything, apart from killing a huge number of people. It was almost a meaningless act; the logic was difficult to follow. If you hated the U.S. so much, there were other and better targets, in a way: the Capitol in Washington, the White House, the Pentagon itself — one plane obviously wasn’t going to do enough damage; all four planes could have gone into the Pentagon. The symbolic value of an attack, say, on the White House or the Capitol would have been far, far greater. By comparison, the attack on the World Trade Center in New York was really… It almost comes into the category of a meaningless act… and it’s this that people find so unsettling. I think that when you’re faced with a meaningless act of that kind, the brain rushes around trying to find some sort of conceivable reason at work in the perpetrators’ mind. Although no one is prepared to come out and sort of back Samuel Huntington’s notion of “The Clash of Civilizations” — you know, the Christian West vs. Islam — people act as if the war against the Muslim world were already declared.

V. Vale: In fact, Bush constantly talks about war, doesn’t he? He refers to himself as the “War President.”

J.G. Ballard: Whereas in terms of the huge enormous unlimited power of the U.S. military, I would regard the invasion of Iraq as a police action. I mean, it’s degenerated into a kind of huge police action now — it’s a “law and order” problem. The reactive mechanism in Bush’s mind, and in the minds of the neo-cons around him, has been touched off. And also of course, the other thing that sort of worries us in Europe, is the way in which religious belief has begun to merge seamlessly into this sort of war mentality. That is something that is very scary, because it justifies anything. If “God” is on your side and you’re absolutely convinced of that, then you can do anything.

V. Vale: And justify anything you did.

J.G. Ballard: Absolutely. Going back to the Crusades and religious pogroms in Europe, the Dark Ages, the Inquisition in the 14th-15th century (or whenever), the religious wars… One doesn’t want to get too carried away, but there are unsettling echoes — put it like that. I think back to earlier American Presidents when I was younger — say, Roosevelt, Truman, Eisenhower… one can’t imagine them ever having gotten into this war in Iraq. Or into this peculiar mind-set, this sort of “Religious Warrior” mind-set. They weren’t riding an emotional horse… The puzzling thing is: Why has this happened? Is there something within the American view of the world, the way that Americans think, that is responsible? In other words, has the genie escaped from the Hollywood bottle … and got out into the ordinary air we breathe? One can’t help wondering that. The logic that underpins Independence Day and Con-Air and all these films seems to be directing America today. I’m probably wrong, but that’s the impression that people have over here.

V. Vale: Definitely. Those popular films perpetuate, or inflict, a mythology, upon Americans … there are all these assumptions underlying those films.

J.G. Ballard: Yes, it underpins those films, and it underpins the American comics that I read in the 1940s. I remember reading Superman comics in 1937, 1938 in Shanghai, and the hero could transform himself — which Bush thinks he can do: he goes into the War Room in the Pentagon and he comes out a cross between Richard the Lion-Hearted and god knows who else. There is the idea that if what you’re doing is “right,” and “God” tells you so, you have unlimited power. That’s a very powerful combination, actually, if you happen to be President of the U. S., but it’s frightening for the rest of the world. I mean, I can imagine a world where everyone is so frightened of the U.S. that we all convince ourselves that we admire it absolutely, and will agree with everything America demands of us, but that will not satisfy the man in the White House at the time. What he needs — or it may be a she, although I would think that Hillary’s hopes are rather slender at the moment — I mean for eight years’ time, whenever. But there seems to be a need… Maybe it’s something as simple as the need for revenge — it’s hard to say. But I think it’s more than that; I think it’s the need to turn the rest of the world into a free-fire zone where anybody who puts his head up out of the nearest ditch is going to get it shot off. That way they’re “safe.” But, it may be a passing phase…

This interview was first published in Arthur Magazine, February 15, 2005, and was excerpted from the book, J.G. Ballard: Conversations. This book, and a companion volume, J.G. Ballard: Quotations, is now available from www.researchpubs.com 


Collage by JGB 

james ballard album

xxx 

Nuove proposte musicali: The Infradyto’s

Monday, November 12th, 2007

Cactus Music, Desert Sound, West and Soda. Cosi’ Frankie Bertieri (electric guitar and vocals) e  Matteo Giannetti (doublebass), A.K.A. The Infradyto’s, amano descrivere la loro musica. Mercoledi’ scorso dovevano suonare dal vivo al Rex Bar in via Fiesolana a Firenze, ma causa problemi tecnici non gli e’ stato possibile esibirsi: il dj che ha suonato la sera prima nel locale ha fuso l’impianto e percio’ e’ stato impossibile ripararlo in tempo per il concerto del giorno dopo. Frankie e’ considerato uno dei migliori chitarristi della scena fiorentina, ex membro di Neon e I Refuse It (storiche formazioni underground anni Ottanta) e Matteo e’ un eccellente contrabassista, suona attualmente con "The Di Maggio Connection" ma in passato ha suonato anche con "Rocky Roberts". Spero di rivederli presto in azione. In bocca al lupo!

xxx 

Reliquie dell’era spaziale

Saturday, November 10th, 2007

 

Involucro protettivo del disco d’oro della NASA

"The spacecraft will be encountered and the record played
only if there are advanced spacefaring civilizations in interstellar
space. But the launching of this bottle into the cosmic ocean
says something very hopeful about life on this planet."
Carl Sagan

Nel 1977 furono lanciate dall’agenzia americana per la ricerca
spaziale (NASA) le sonde spaziali Voyager 1 e Voyager 2. Le sonde
contenevano dei dischi fonografici 12 pollici di rame placcato oro
(vedi immagine qui sotto) con sopra incisi vari suoni e immagini
selezionati nell’intento di ritrarre le diversita’ della vita e delle
culture del nostro pianeta. Inoltre il professor Sagan (curatore del
progetto) e i suoi collaboratori incluserouna collezione di 115 foto
codificate in forma analogica e una varieta’ di suoni della natura
(vento, fuoco, onde del mare, animali, eccetera). A questi aggiunsero
una selezione musicale tratta da varie epoche e culture,
registrazioni di saluti in varie lingue e un messaggio scritto del
Presidente Carter e del segretario delle Nazioni Unite Generale
Waldheim. I dischi erano contenuti in una cpoerta di alluminio
contenetne anche una testina e uno stilo per fonografo. Istruzioni,
in linguaggio grafico, spiegavano l’origine della sonda e come
suonare i dischi in essa contenuti (3,6 giri al secondo).

THX

Disco d’oro Voyager (audio file wav da The sounds of Earth http://re-lab.net/welcome/sounds2.html):

f-111.wav

mud.wav

volcanoes.wav

morse.wav

spheres.wav

life.wav

footsteps.wav

first.wav

fire.wav

wind.wav

birds.wav

bus.wav

train.wav

tractor.wav

tamedog.wav

kiss.wav

horse.wav

herding.wav

crickets.wav

chimpanzee.wav

wildog.wav 


Voyager Golden Record

Da Wikipedia, l’enciclopedia libera.

il Voyager Golden Record.

il Voyager Golden Record.

Riproduzione del Voyager Golden Record.

Riproduzione del Voyager Golden Record.

Il Voyager Golden Record è un disco
per grammofono
inserito nelle prime due navicelle del Programma
Voyager
, lanciato nel 1977,
contenente suoni e immagini selezionate al fine di portare le diverse
varietà di vita e cultura della Terra.
È concepito per qualunque forma di vita extraterrestre
o per la razza umana del futuro che lo possa trovare. La navetta
Voyager impiegherà 40.000 anni per arrivare nelle vicinanze di
un’altra stella.

Le probabilità che venga trovato da qualcuno sono
estremamente remote in rapporto alla vastità dello spazio
intergalattico. Un suo possibile ritrovamento ad opera di una forma
di vita aliena potrà avvenire soltanto in un futuro molto
lontano. Il suo lancio è infatti visto più che altro
come qualcosa di simbolico che non un tentativo reale di comunicare
con forme di vita extraterrestri.

Indice

[nascondi]

I precedenti tentativi [modifica]

Attualmente, nel 2006,
la navicella Voyager è soltanto il terzo artefatto prodotto
dall’umanità
ad uscire dal Sistema
solare
. Appartenenti al Programma
Pioneer
le navicelle 10
e 11, lanciate
rispettivamente nel 1972
e nel 1973,
posseggono placche metalliche che identificano il loro tempo e il
loro luogo d’origine, per beneficiare altri viaggiatori spaziali che
potranno ritrovare le placche in un lontano futuro.

Con questo tentativo invece, la NASA
ha voluto inserire un messaggio omnicomprensivo a bordo di Voyager
1
e Voyager 2,
una sorta di capsula
temporale
con l’intenzione di comunicare la storia del nostro
mondo ad eventuali forme di vita extraterrestri.

Collabora a Wikiquote

« Questo
è un regalo di un piccolo e distante pianeta, un frammento
dei nostri suoni, della nostra scienza, delle nostre immagini,
della nostra musica, dei nostri pensieri e sentimenti. Stiamo
cercando di sopravvivere ai nostri tempi, ma potremmo farlo nei
vostri. »

 

(Jimmy
Carter
, Presidente
degli Stati Uniti d’America
)

Diagramma della copertina del disco [modifica]

Immagine:VgrCover.jpg

Il contenuto [modifica]

Il contenuto del disco venne selezionato per la NASA da una
commissione guidata da Carl
Sagan
della Cornell
University
. Il dottor Sagan e la commissione misero insieme una
varietà di 115 immagini e un gran numero di suoni naturali,
come quelli prodotti dalle onde,
dal vento, dai tuoni
e suoni prodotti da animali,
come il canto degli uccelli
e quello delle balene.
Con questi venne inserita una selezione musicale proveniente da
diverse culture e diverse epoche, oltre ai saluti di abitanti della
Terra in 55 lingue
diverse e la riproduzione del messaggio del presidente degli U.S.A.
Jimmy Carter
e del Segretario
generale delle Nazioni Unite
Kurt
Waldheim
.

Dopo le critiche ricevute dalla NASA sull’inserimento nelle
placche del programma Pioneer dell’immagine di un corpo maschile e
uno femminile nudo, l’agenzia spaziale non permise a Sagan di
inserire immagini di uomini e donne nude.

I saluti nelle diverse lingue iniziano con l’accadico,
parlata dai Sumeri
circa 6.000 anni fa e finiscono con il dialetto Wu,
parlato attualmente in Cina.

Seguono le 55 lingue incluse nel Golden Record:

Segue la sezione di suoni della Terra, comprendente una sezione di
circa 90 minuti di
musica proveniente da differenti culture e da varie parti del mondo.
La sezione include:

Nazione

Canzone

Autore

Esecutore

Registrato o raccolto da

Tipo di musica

Durata

Germania

Concerto
brandeburghese
No. 2 in F. primo Movement

Bach

Munich
Bach Orchestra
diretta da Karl
Richter

 

Orchestra

4:40

Giava

"Puspawarna"
("Tipi di fiori")

 

Corto gamelan di Pura
Paku Alaman
diretto da K.R.T.
Wasitodipuro

Robert
E. Brown

Gamelan

4:43

Senegal

Percussioni senegalese

 

 

Charles
Duvelle

Percussioni

2:08

Zaire

canzone dell’iniziazione delle donne pigmee

 

 

Colin
Turnbull

 

0:56

Australia

"Morning Star" e "Devil Bird"

 

 

Sandra
LeBrun Holmes

canzone aborigena

1:26

Messico

"El Cascabel"

 

Lorenzo
Barcelata
e il Mariachi
México

 

 

3:14

USA

"Johnny
B. Goode
"

Chuck Berry

Chuck Berry

 

Rock and
roll

2:03

Nuova
Guinea

Canzone della casa dell’uomo

 

 

Robert
MacLennan

 

1:20

Giappone

"Tsuru No Sugomori" ("Crane’s Nest")

 

Goro
Yamaguchi

 

Shakuhachi

4:51

Germania/Belgio

"Gavotte en rondeaux" dalla Partita
No. 3 in E maggiore
per violino

Bach

Arthur
Grumiaux

 

Violino

2:55

Austria/Germania

Il
flauto magico
, Aria della regina della notte, no. 14

Mozart

Edda
Moser
(soprano) della Bavarian
State Opera
, diretta da Wolfgang
Sawallisch

 

Opera

2:55

Georgia

"Tchakrulo"

 

 

Radio
Moscow

Coro

2:18

Perù

 

 

 

Casa de la Cultura, Lima

Siringa
e tamburi

0:52

USA

"Melancholy
Blues
"

 

Louis
Armstrong and his Hot Seven

 

Jazz

3:05

Azerbaijan

"Ugam"

 

 

Radio Moscow

Cornamusa

2:30

Russia/Francia/USA

Le
Sacre du Printemps
, danza sacrificale

Stravinsky

Columbia
Symphony Orchestra
diretta da Igor Stravinsky

 

 

4:35

Germania/Canada

Il
clavicembalo ben temperato
, Book 2, Preludio e fuga in C, No.1

Bach

Glenn Gould

 

Pianoforte

4:48

Germania/Gran
Bretagna


Sinfonia
, Primo movimento

Beethoven

Philharmonia
Orchestra
diretta da Otto
Klemperer

 

 

7:20

Bulgaria

"Излел е Делю
хайдутин"
("Izlel je Delyo Hajdutin")

Valya
Balkanska

 

 

 

4:59

USA

Canto notturno

Indiani Navajo

 

Willard
Rhodes

 

0:57

Gran Bretagna

"The Fairie Round" from Pavane,
Gagliarda,
Allemanda e
altre brevi arie

Anthony
Holborne

David
Munrow
e il Primo
consorzio musicale di Londra

 

 

1:17

Isole
Salomone

 

 

 

Solomon
Islands Broadcasting Service

Siringa

1:12

Perù

Canto matrimoniale

 

 

John
Cohen

 

0:38

Cina

"Liu Shui" ("Flowing Streams")

Bo
Ya

Kuan
P’ing-hu

 

Guqin

7:37

India

"Jaat Kahan Ho"

 

Surshri
Kesar Bai Kerkar

 

Raga Bhairavi

3:30

USA

"Dark Was the Night, Cold Was the Ground"

Blind
Willie Johnson

Blind Willie Johnson

 

 

3:15

Germania/Ungheria

Quartetto
N. 13
in B flat, Opus 130

Beethoven

Quartetto
Italiano

 

Cavatina

6:37

Il viaggio [modifica]

La posizione delle due sonde nel maggio 2005

La posizione delle due sonde nel maggio 2005

La Voyager 1 è stata lanciata nel 1977, passando l’orbita
di Plutone
nel 1990, e lasciando
il sistema
solare
(cioè passando il limite oltre il quale il Sole
non ha più influssi) nel novembre 2004.
Adesso è nello spazio vuoto. Tra circa 40.000 anni Voyager 1 e
Voyager 2 dovrebbero arrivare ad essere a circa 1.7 anni
luce
da due diverse stelle: Voyager 1 sarà in prossimità
di AC+79 3888, una stella appartenente a Ursa
Minor
; Voyager 2 sarà nelle vicinanze della stella Ross
248
, localizzata in Andromeda.

Nel maggio 2005,
Voyager 1 era a 8.7 miliardi di miglia
dal Sole e viaggiava ad una velocità di 3.6 UA
all’anno, mentre Voyager 2 era a circa 6.5 milioni di miglia dal sole
e viaggiava a 3.3 UA all’anno.

Come Carl Sagan
ha notato, "Se le navicelle spaziali saranno incontrate,
potranno essere interpretate soltanto da una civiltà
aliena molto evoluta. Ma il lancio di questa ‘bottiglia’ nell’oceano
cosmico dà un senso di speranza riguardo la vita su altri
pianeti".

Qualcun altro suggerisce che la sola civiltà che potrà
incontrare il messaggio è la nostra, e che quando tra diverse
centinaia d’anni verrà ritrovato verrà posizionato in
un museo spaziale.

Altre informazioni [modifica]

Molte delle immagini usate nella registrazione (riprodotte in
bianco e nero), con le informazioni riguardanti la loro compilazione,
possono essere trovate nel libro del 1978
Rumori della Terra: il CD del viaggio interstellare Voyager di
Carl Sagan,
Frank
Drake
, Ann
Druyan
, Timothy Ferris, Jon Lomberg e Linda
Salzman
. Una versione in CD-ROM
venne commercializzata dalla Warner
New Media
nel 1992.
Entrambe le versioni sono fuori commercio, ma l’edizione cartacea del
1978 può essere reperita presso molte librerie pubbliche.

Nel luglio 1983 la
BBC Radio 4 produsse
un documentario di 45 minuti Musica da un piccolo pianeta, nel
quale Sagan e Druyan spiegarono il processo di selezione della musica
per il CD.

Incluso nella parte audio di I suoni della terra vi è
una traccia contenente il messaggio Per
aspera ad astra
in Codice
Morse
.

Estratto da
"http://it.wikipedia.org/wiki/Voyager_Golden_Record"

Categoria:
Sonde
spaziali NASA


Articolo da Fortean Times Magazine:

http://www.forteantimes.com/blogs/editorial-blogs/news/365445/nasas-gold-record.thtml

Wednesday 16 May 2007 

NASA’s gold record

Trackback
| Permalink
| Discussion:
1 comment

Posted by Alistair Skakles at 5:48pm

It’s coming up to 30 years since this golden disc was carried into
space by the interstellar probes Voyagers I and II. Put together
under the guidance of Dr Carl Sagan, the intention was to present an
overview of life on Earth, just in case some intelligent life
happened to stumble upon it.

Here’s a selection of the – now rather kitsch looking – pictures
they included: link

Found at popsci.com

 


link  

net.project "Very Hopeful About Life on This Planet"

indice immagini dischi Voyager 1 e 2 – http://re-lab.net/welcome/images.html

indice suoni dischi e informazioni (in inglese) – http://re-lab.net/welcome/index.html

xxx

Sabato 10 nov: RAW POWER (Reggio Emilia HC dal 1981) live @ CPA (Firenze)

Friday, November 9th, 2007

http://www.rawpowerhc.com/images/cbgbintro.jpg
Raw Power di fronte al CBGB OMFUG (NYC) – foto tratta dal sito ufficiale della band

Domani sera al CPA Firenze Sud in via di Villamagna 27a, Firenze (zona Gavinana) si esibiranno dal vivo RAW POWER, leggendaria formazione HC nata a Reggio Emilia nel 1981, una delle piu’ influenti band della scena hardcore punk italiana. Supporter: WATCH YOUR STEP (hc Firenze). Ingresso 3€.

Come arrivare al CPA

Autostrada: uscita Firenze Sud – uscita raccordo viale Europa

Treno: stazione S.M. Novella – Bus 3, 8, 23, 31, 32, 33

Per info: 

http://www.rawpowerhc.com/ – sito ufficiale

http://cpafisud.org/ – Centro Popolare Autogestito Firenze Sud. Tel: 055 6580479