Archive for the ‘devices’ Category

2005-2011: gli assalti alla rete

Sunday, July 17th, 2011

La lunga, triste storia di tutti gli assalti alla rete dal 2005 ad oggi. Il video, che dura un’ora e mezza, ha un menu sulla sinistra attraverso il quale è possibile saltare ai singoli argomenti, in modo da facilitarne la fruizione anche in un secondo momento.

http://youtu.be/GK2vLQl6saI

Emil Beaulieau: America’s Greatest Living Noise Artist

Monday, July 11th, 2011

Emil Beaulieau in Rochester, NY

http://youtu.be/_W-lFVzIf00

video on highbias.orghttp://highbias.org/?q=node/26

info — https://secure.wikimedia.org/wikipedia/en/wiki/Emil_Beaulieau

many thanks to Filippo Panichi for showing me this video the other day

RRRecords — http://www.rrrecords.com/


Emile Beaulieau

Burp rendez-vous stasera all’Ulisse Bar (FI)

Friday, July 8th, 2011

Burp Rendez-Vous
Venerdi 8 Luglio 2011
Ulisse Barnum – Via San Salvi 12 – Firenze – IT

ore 22
brevi azioni di musica istantanea, premeditata e registrata

MAT POGO
voce reale e registrata, microfono, mixer, lettore cd, registrazioni

WJM
mixer, lettori cd, minidisc, generatore di frequenze, registrazioni

JIMMY GELLI
mixer, elettroniche, lettore cd, giradischi, registrazioni

MARCO BALDINI
tromba

ore 23:30
dj set

SISTEMI AUDIOFOBICI BURP
afroamericana / r&b / error / punca / colonial / r’n’r / freestyle / mod classical / rumore

Burp enterprise infos — http://www.burpenterprise.com/burp/articoli/

Y2KX+1 International Live Looping Festival Firenze

Thursday, July 7th, 2011

Teatro Blu del parco dell’Anconella a Firenze

16 e 17 luglio 2011

clicca per ingrandire il programma:

 

Klaus Schulze – Live 1977

Friday, June 24th, 2011

http://youtu.be/bSZL0DPmlkQ

Klaus Schulze performs ‘For Barry Graves’ – live concert 1977.
Unique and rare footage. Video re-edited for better image quality and sound remastered for better clearity and stereo imaging. – Nimanty

Details
See Klaus Schulze using the MiniMoog D-model synthesizer, switching the added white noise off at 6:20.
Next to it, the Moog Micromoog, on which he (at 2:16) adjusts the ‘volume’, ‘filter cutoff’, ‘release’ (to short), ‘filter mod by osc’ (to strong, then back to off), ‘filter mode’ (to tone) and finally ‘modulation rate’, just visible on fading.