“Always the eyes watching you and the voice enveloping you. Asleep or awake, working or eating, indoors or out of doors, in the bath or in bed — no escape. Nothing was your own except the few cubic centimetres inside your skull.” — George Orwell. 1984
Side one
No. Title Writer(s) Lead Vocals Length
1. “Surfin’ USA” Brian Wilson/Chuck Berry Mike Love 2:27
2. “Farmer’s Daughter” B. Wilson/Love B. Wilson 1:49
3. “Misirlou” Roubanis/Wise/Leeds/Russell instrumental 2:03
4. “Stoked” B. Wilson instrumental 1:59
5. “Lonely Sea” B. Wilson/Gary Usher B. Wilson 2:21
6. “Shut Down” B. Wilson/Roger Christian Love 1:49
Side two
No. Title Writer(s) Lead Vocals Length
1. “Noble Surfer” B. Wilson/Love Love 1:51
2. “Honky Tonk” Doggett/Scott/Butler/Sheper/Glover instrumental 2:01
3. “Lana” B. Wilson B. Wilson 1:39
4. “Surf Jam” Carl Wilson instrumental 2:10
5. “Let’s Go Trippin'” Dick Dale instrumental 1:57
6. “Finders Keepers” B. Wilson/Love Love 1:38
Ieri sono stato al NUB un locale-associazione-culturale-studio a Montale, in provincia di Pistoia, per i due live set noise di Pato (spagnolo di Barcellona residente a Berlino) e Glue Pour (francese residente a Berlino).
Il 7″ split etichetta Le Petit Mignon in vinile bianco distribuito da Staalplaat di Pato/Guilty C. (LPM03), che ho preso ieri al concerto, a mio parere é ottimo. Brace Brace di Pato, é un collage di suoni generati al computer molto rumoroso e che ricorda un po’ l’estetica dei suoni dei videogames anni 80. Sull’altra facciata Rest In Peace In Town di Guilty C. é un lungo drone(in italiano bordone), ed ha un sound piú analogico apparentemente filtrato da degli effetti tipo wah-wah ed altri pedali per chitarra.
Molto bella anche la grafica di copertina (stampa Risograph in tricromia) e dei centrini custom (in bianco e nero).
Edizione limitata, 300 copie.
qui sotto la recensione ufficiale del disco tratta dal sito dell’etichetta Le Petite Mignon:
Guilty C. has been chopping noises and hairy infants in the funeral mountains of the Nara prefecture for quite a while now, leading an errant life among vegetable dumplings, agoraphobic trees and necrophagous cunts. “Rest In Peace In Town” on the Circle side is the last blow of the paraplegic sword art mastered to overcome his incommensurable fights against the castrate humongous pot-bellied pig’s mafia and the dolphin men’s despotic oppression towards self-taught illiterates, producers of infected fair trade papaya and empowerment in clinical practice.
Brain dead for 3 years after attacking the Undertaker with an axe while trying to water his datura field with a foam extinguisher on the threshold of a new world, Pato survived his lethal wounds thanks to a nano chip interfacing with his cerebral tissues and developed in secret by his Formula 1 team during an internship as cabine crew member for an Afghanistan lowcost airline company. Mixing TO7 computers, modified Boeing A320 aircrafts and manipulated spring sand of the Costa Brava, “Brace Brace” on the Triangle side was recorded after Pato’s recovery and rings out like a cursed sound fascination for squid and dragsters.
The exogalactic overriding aorta artwork of this new LPM publication was entirely designed by the fireproof genius Zeke S. Clough and printed in Risograph by Manymono in London. Cut as usual so far by Rashad Becker at Duplates Berlin.