Messer Chups: Oleg Gitarkin (guitar) & Zombie Girl (bass)
da http://www.ambasciatadimarte.org/web/
Tocca Firenze una delle due date del italiane del tour europeo di Messer Chups,
il duo surf elettronico russo scoperto da Mike Patton, oggi accasatosi su Ipecac
Recordings. Psychobilly, lounge, b-movie e delirio. Surf horror inferno bugi!
http://www.youtube.com/watch?v=dYdCQgBT6MA
xxx
dalla pagina http://www.pcna.splinder.com/tag/circuit_bending/
il circuit bending è un modo semplice e divertente per autocostruirsi
uno strumento musicale attraverso l’utilizzo creativo del corto
circuito su piccoli circuiti sonori, pratica teorizzata da Reed Ghazala
nel libro "Circuit Bending, Make Your Own Alien Istruments". La
leggenda vuole che la cosa sia nata per caso dopo che un giorno del ’66
una sua radiosveglia andò spontaneamente in corto circuito generando
dei rumori favolosamente musicali. Tra i giocattoli più torturati non
possiamo non ricordare la celebre tastiera SK1 Casio e lo Speak &
Spell firmato Texas Instruments nella versione italiana Grillo Parlante
prodotto da Clementoni che ne hanno viste davvero di tutti i colori.
video
hackers pornography: http://pcna.splinder.com/post/14231266
links:
http://en.wikipedia.org/wiki/Reed_Ghazala
Foto (scattata da Kate): Le Chat Bubu
Errata corrige:
Il concerto di Le Club Des Chats (Parigi, Francia) e Lacroquette (Svizzera) avra' luogo all' Ulisse Barnum a Firenze, Area San Salvi, ora indefinita.
ingresso libero
Cito dalla mail di Sweet sensation:
ORE 22.30 @ ULISSE BARNUM
VIA DI SAN SALVI 12
Interno Area San Salvi
Bus 6 e 20
********************************************************
STASERA GIOVEDI 27 SETTEMBRE
LE CLUB DES CHATS (duo felino da Parigi)
LA CROQUETTE (pop – punk dalla Svizzera)
http://www.leclubdeschats.com
http://www.levilainchien.com
http://www.myspace.com/lacroquette
*******************************************************
DOMANI VENERDI 28 SETTEMBRE
FRONT DE BOEUF (R’n’R da Stoccolma)
MOJOMATICS (blues da Mestre)
http://www.myspace.com/themojomatics
http://www.myspace.com/frontdeboeuf
*******************************************************
Suicide – Rimini gennaio 2004. Foto: THX (2004)
Suicide live a Bologna. 7 Dicembre 2002
1. L.A. Woman download mp3
2. Bring It Down download mp3
3. Ghostrider download mp3
4. Power Au Go-Go download mp3
5. Wrong Decisions download mp3
6. Cheree download mp3
7. Misery Train download mp3
8. Child It’s A New World download mp3
9. Beggin’ For Miracles download mp3
Suicide live a Rimini. 17 Gennaio 2004 – download mp3 (mono, 70 min)
Registrazione live: THX
mp3 encoding: THX
Mo’ Copyriots. Muzak Decoding Productions 2007
links:
Suicide’s Martin Rev on the ‘phone – intervista di Greta Pistaceci, Dicembre 2001.
http://www.alanvega.com/
http://www.martinrev.com/
http://www.limbos.org/suicide/
http://www.mute.com/artists/publicArtistLoad.do?id=1748&forward=longBio
http://www.zerecords.com/artist_biography.php?id=3
http://www.villagevoice.com/news/0205,reynolds,31868,1.html
http://www.ink19.com/issues/january2003/interviews/alanVegaPartI.html
Blondie – Hearth Of Glass. Chrysalis, 1978 (stampa italiana)
Iggy Pop – Bang Bang. Arista, 1981 (stampa tedesca)
Scansioni: THX
dal programma dei seminari dell'Hackmeeting a Pisa 28-29-30 settembre 2007:
http://www.hackmeeting.org/?page=seminari
45 RPM/ Revolutions per Minute
sabato 29, h14 : 2 ore
In
the 1930ies Bert Brecht and Walter Benjamin tried to formulate a
participatory and anti-fascist media theory. Benjamin demanded that
every author should also be a producer of new formats and techniques
which would enable people to find their own voice and express
themselves. And Brecht thought that "through continuous, never ending
proprosals how to better use the apparatuses in the interest of the
general public" the left could shake up and destroy the social basis of
those apparatuses, and "discredit their use in the interest of the
few." 70 years later the participatory media paradigm that Brecht and
Benjamin envisioned seems to become possible. Dissident politicized
media activists and free software developers not only own the means of
production, they/us/we actually produce them. Can we change the
relationship of the means of production by producing participatory and
emancipatory technologies? Can capitalism be unspun from within? Or
will this movement be another victim of capitalism's capacity to absorb
progressive and critical movements and divert their power, a tendency
we can already see with Web 2.0.
A lecture supported by audio
interviews with discussion afterwards. 45 RPM is an interim result of
The Next Layer research project, an independent research project into
the art and politics of Free Software. http://theoriebild.ung.at/view
Long text: http://theoriebild.ung.at/view/Main/RevolutionsPerMinute
(http://www.thenextlayer.org/ this is under construction, not ready yet)