“Always the eyes watching you and the voice enveloping you. Asleep or awake, working or eating, indoors or out of doors, in the bath or in bed — no escape. Nothing was your own except the few cubic centimetres inside your skull.” — George Orwell. 1984
Chaos “Afrogermanic”
from the “Crime Report” Underground Resistance EP (and the “Interstellar Fugitives” LP)
UR “Talking To Z”
from the “Crime Report” Underground Resistance EP
http://www.youtube.com/watch?v=GUf4y8LET4k
Crimereport UR 021 – 1996
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There have been reports of a UR special operations sonic insertion team code named I.S.F. (Interstellar Fugitives) in your zone. An imminent “LP” attack is expected any moment. Beware you have been warned!!
Taken From “Interstellar Fugitives” LP
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Mastered at National Sound Corporation (NSC), Detroit
Underground Resistance is probably the most militantly political outcropping of modern urban American techno. Combining a grubby, four-track aesthetic, an almost strictly DIY business philosophy, and an oppositional, militaristic ethos similar to Public Enemy without the drama (or the familiarity; the members refuse to be photographed without bandanas obscuring their identities), UR have redirected their portion of the Detroit techno legacy to social activist ends, trading mainstream popularity and financial success for independence and self-determination. Begun in the early ’90s by Detroit second-wave trinity Mike Banks, Robert Hood & Jeff Mills, UR adapted the flavor and kick of early Detroit techno to the complex social, political, and economic circumstances in the wake of Reagan-era accelerated inner-city decline, and was formed as an outlet for uncompromising music geared toward awareness and change.
The early UR catalog is defined by a typically Detroit combination of Motown and Chicago soul, and ruthless, at times caustic lo-fi techno, acid, and electro (Mills’ background is in, among other things, Chicago industrial and EBM-style electro-techno, with Banks and Hood both coming from a solid house and techno base). Much of the label’s early output was the product of various permutations of Banks, Mills, and Hood, both solo and in combination, before Mills and Hood left UR in 1992 to pursue (and achieve) international success. Banks continued to operate UR in the wake of the split, releasing EPs such as “Return of Acid Rain,” “Message to the Majors,” and “Galaxy to Galaxy” under the UR banner, as well as 12-inches by increasingly renowned artists such as Drexciya, Suburban Knight and Scan 7. The first actual full-length credited to Underground Resistance was 1998’s Interstellar Fugitives. When the UR and Submerge Recordings Headquarters moved from 2030 Grand River to 3000 E Grand Blvd., the UR ‘family’ transformed again by assigning new members such as DJ 3000, S², Aquanauts, The, Buzz Goree and most notably the live band Los Hermanos.
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Members:
Andre Holland, Bileebob, Chuck Gibson, Cornelius Harris, Dan Caballero, DJ Buzz Goree, Drexciya, Frankie Fultz, Galaxy 2 Galaxy, Gerald Mitchell, Ghetto Tech, ISH, James Pennington, Jeff Mills***, Marc Floyd, Mark Taylor, Mike Banks, Mike Clark, Milton Baldwin, Raphael Merriweathers Jr., Robert Hood***, Rolando Rocha***, Santiago Salazar, Timeline.
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other tracks from the “Interstellar Fugitives” LP:
Analog on the go!
Analog synths were once massive, temperamental monsters; but no more! The true analog monotron fits in your pocket and is ready to play – anytime, anyplace. Although small enough to hold in one hand, the amazing monotron delivers ginormous and dazzling sounds. Best of all, it’s a blast to play. The controls have been streamlined for ease of use. Concentrating on the most important sound parameters, the panel contains only five knobs and one switch. With this level of simplicity, now anyone can easily enjoy the world of analog synthesizers.
Product Highlights:
Features the same classic analog filter found in the legendary Korg MS-10 & MS-20
Filter any external source using the audio input jack
Inspiring, easy-to-play ribbon keyboard
Intuitive, fun-to-tweak controls
Full-fledged, true analog synthesizer: VCO, VCF, LFO
LFO can modulate either pitch of filter cutoff
LFO Rate knob features cool LED visual indicator.
Battery operation and palmtop size equals true portability
Internal speaker/headphone jack lets you enjoy the sound anywhere – alone or with friends!
Ribbon controller keyboard offers easy expression
Borrowing the enjoyment of performing with a simple touch from Korg’s wildly popular KAOSS products, the monotron’s ribbon controller keyboard takes this ease of use even farther. Simple finger gestures can produce expressive effects such as vibrato and glide.
1VCO, 1VCF, 1LFO – Modular synthesis building blocks
The monotron’s circuit is radically simple: one voltage-controlled oscillator, one voltage-controlled filter, and one low frequency oscillator. As a result, the process of sound creation is intuitive, and instantly understandable. And it’s tons of fun. The monotron provides the joy of sonic creativity that’s at the heart of analog synthesis.
The famous Korg filter
The monotron starts with the same highly acclaimed VCF circuit as KORG’s classic MS-10 and original MS-20 semi modular synthesizers, and adds extra oomph to the resonance. Originally released over 30 years ago, these instruments are still coveted today for their aggressive, dynamic filters. The VCF Cutoff knob sets the frequency or tone of the filter; the VCF Peak (resonance) knob adds emphasis.
Semi modular satisfaction
Just as on the original MS-20, the monotron’s filter can be “patched into,” allowing any external audio source to be processed by the monotron’s filter. The input jack (AUX input) built into the monotron’s compact body inserts the AUX input into the signal path right before the VCF. This provides a great way to connect a KAOSSILATOR, a keyboard, a guitar, a digital audio player or even an un-mixed track to the monotron and enjoy tone-bending filter effects.
Versatile LFO provides audio – and visual – excitement!
The LFO (Low Frequency Oscillator) can affect either the oscillator pitch or the filter cutoff. Both the speed and the intensity are individually adjustable, so you can create anything from a gentle vibrato to swooping tone changes of galactic proportions. As you turn the LFO Rate knob – featuring an embedded LED – the speed of the modulation effect and the speed of the blinking LED will change in tandem.
Listen anywhere – alone or with friends
The ultimate in compactness, the monotron includes a built-in miniature speaker. Along with the battery operation, this feature allows you to enjoy the monotron everywhere. There’s also a headphone output that you can use when creating sounds at home, for recording, or for connecting to an amplifier or PA system.
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